Genres
Hank Mobley – A Caddy for Daddy – (Blue Note Tone Poet) – Blue Note Records 180g Vinyl
£39.95Hank Mobley’s album “A Caddy for Daddy,” reissued by Blue Note Records in their Tone Poet Series, is presented on 180g vinyl that showcases its rich, warm sound quality.
This release captures the vibrant essence of Mobley’s 1965 session, featuring jazz luminaries like Lee Morgan and McCoy Tyner, highlighting Mobley’s fluid saxophone lines and the ensemble’s tight interplay.
The Tone Poet Series is noted for its high-fidelity audio, meticulous attention to mastering, and luxurious packaging, all of which enhance the listener’s experience of this classic hard bop recording.
“A Caddy for Daddy” stands out in Mobley’s discography for its compelling compositions and the masterful musicianship, making this reissue a prized item for jazz vinyl collectors.
Hank Mobley – A Slice of the Top (Blue Note Tone Poet Series) Blue Note 180G Vinyl
£45.00Tenor saxophonist Hank Mobley had already been building a formidable Blue Note catalog for more than a decade when he conceived of his unique album A Slice of the Top, which was recorded in 1966 but not first released until 1979 as part of the LT Series.
Inspired by Miles Davis’ Birth of the Cool, Mobley collaborated with Duke Pearson who arranged four Mobley originals and the pop standard “There’s a Lull In My Life” for an octet that added Kiane Zawadi’s euphonium and Howard Johnson’s tuba to a group consisting of James Spaulding on alto saxophone and flute, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.
Behold Mobley’s lyrical flights on standout tunes including “Hank’s Other Bag,” “A Touch of Blue,” and “A Slice of the Top.”
Hank Mobley – Soul Station Blue Note Records 180G Vinyl
£24.95Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley’s lyrical flow from the breezy opening take on Irving Berlin’s ‘Remember’ through bluesy originals like ‘Dig Dis’ and the title track, and the swinging up-tempo numbers ‘This I Dig of You’ and ‘Split Feelin’s.’ Soul Station endures as a jazz classic for the ages..
Hard Bop – Art Blakey’s Jazz Messengers – 180-GRAM 33RPM Impex Records Monaural Vinyl LP
£48.95Impex Records has cut this gorgeous, limited edition (2,500 pressings) 180-gram LP with the original analog mono master tapes and without computer processing of any kind.
You hear all the vivacious interplay that occured on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. And only that. This is music that still resonates over 50 years later. Not to be missed.
Harold Vick – Steppin’ Out – Blue Note Records Tone Poet Series 180g Vinyl LP
£39.95Tenor saxophonist Harold Vick was born in Rocky Mount, North Carolina and played with R&B bands coming up before working as a sideman with soul jazz organ greats including Jack McDuff and Big John Patton. Vick made his first Blue Note appearance in April 1963 on Patton’s Along Came John, and a month later Alfred Lion brought the saxophonist back into the studio to record his own debut as a leader, the underrated soul jazz gem Steppin’ Out.
For the session Vick assembled the same band with Patton on organ, Grant Green on guitar, Ben Dixon on drums, and added Blue Mitchell on trumpet. The record finds its groove from the very first soul drenched notes of the opener “Our Miss Brooks” and stays firmly in the pocket throughout this 6-song set including the hard-charging “Trimmed In Blue,” a deeply felt rendition of the ballad “Laura,” the swaggering minor blues “Vicksville,” and the buoyant title track which closes the album.
Harry Belafonte – Live at the Greek Theatre – Speakers Corner 180g 2 LP Vinyl
£69.95Harry Belafonte – Live at the Greek Theatre is an electrifying live album capturing the legendary performance of Harry Belafonte at the iconic Greek Theatre. This double LP, pressed on high-quality 180g vinyl by Speakers Corner, delivers rich, authentic sound that showcases Belafonte’s captivating vocals and charismatic stage presence. Ideal for both vinyl collectors and fans of classic calypso, folk, and world music, this release offers an immersive listening experience that brings live performance energy into your home. Celebrate the enduring legacy of one of music’s true icons with this must-have live recording.
Harry Nilsson – Son of Schmilsson – MoFi Numbered Limited Edition Hybrid Stereo SACD
£39.95The “Son of Schmilsson” album by Harry Nilsson, presented in a MoFi Numbered Limited Edition Hybrid Stereo SACD, delivers an unparalleled audio experience, showcasing the artist’s flair for blending irreverent humor with poignant musical compositions.
This edition, mastered from the original tapes, brings out the full range of Nilsson’s eclectic sound, from raucous, upbeat tracks to introspective ballads, all in superior sound quality that highlights his innovative use of studio effects and varied instrumentation
Helen Humes – Songs I Like To Sing! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
£45.00Helen Humes – Songs I Like To Sing! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl LP is a captivating record that showcases the timeless charm and soulful vocals of Helen Humes. This 180g vinyl edition, part of the Acoustic Sounds Series on Contemporary Records, delivers pristine sound quality and an authentic vintage listening experience. With its rich, warm tones and impeccable pressing, this LP is a must-have for jazz and blues aficionados. Add this classic release to your vinyl collection and enjoy the enduring musical legacy of Helen Humes.
Henry Mancini – Breakfast At Tiffany’s – 180G Speakers Corner Vinyl
£39.95The “Breakfast at Tiffany’s” soundtrack by Henry Mancini, reissued by Speakers Corner on 180g vinyl, offers an audiophile-grade listening experience, showcasing Mancini’s iconic blend of jazz and pop elements.
This edition is celebrated for its rich sound quality, bringing new life to timeless tracks like “Moon River,” enhanced by meticulous all-analog mastering from the original master tapes.
The release is part of a series that aims to preserve the integrity and warmth of original recordings, making it a must-have for both dedicated fans of the film and collectors of classic film scores.
Herbie Hancock – Crossings – Speakers Corner 180g Vinyl LP
£39.95Herbie Hancock – Crossings is a captivating journey into Herbie Hancock’s innovative fusion of jazz, funk, and experimental soundscapes. This premium 180g pressing from Speakers Corner delivers exceptional clarity and warmth, bringing every nuanced detail of Hancock’s visionary performance to life. A must-have for discerning jazz aficionados and vinyl collectors, Crossings showcases the pioneering spirit that redefined modern music. Elevate your collection with this iconic release that continues to inspire and challenge musical boundaries.
Herbie Nichols – The Prophetic Herbie Nichols Vol. 1 & 2 Blue Note Re-Issue Vinyl LP
£29.95Blue Note Classic Vinyl Edition on 180-gram LP
Art Blakey’s 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons’ enduring hit “Dat Dere.” Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal in Germany.
Herbie Nichols Trio – Herbie Nichols Trio (Mono) – Blue Note Records (Tone Poet Series) 180g Vinyl LP
£35.00Herbie Nichols was one of the most original pianists and composers in jazz history.
Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955.
Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols’ incredibly hip, angular compositions, each of which were miniature marvels built with their own sturdy inner logic.
