Blues Masters Volume Two XRCD24
Superior Audiophile Sound on XRCD24!
This is a pure analog tape recording. Mastered utilizing JVC 24bit AD Converter with Digital K2, Rubidium clock.
Experience the soul-stirring sounds of legendary blues artists with Blues Masters Volume Two on XRCD24, delivering unparalleled audio quality that brings every note to life.
This meticulously remastered collection captures the raw emotion and powerful performances of blues icons, ensuring an immersive listening experience for true music lovers.
With XRCD24’s superior mastering technology, you’ll hear every guitar riff, vocal nuance, and heartfelt lyric with stunning clarity and depth. Perfect for blues enthusiasts and audiophiles alike, Blues Masters Volume Two is a must-have addition to any serious music collection.
£42.00
5 in stock
5 in stock
Description
Blues Masters Volume Two XRCD24
Blues Masters contains music taken from different recording sessions in New York and California. The twelve selections include music by Doug MacLeod, Mighty Sam McClain, Terry Evans, Joe Beard, and more!
Features:
Mastered Using K2 Technology!
Mastered by Tohru Kotetsu at JVC Mastering Studio in Japan on October 30, 2014
Superior Audiophile Quality
24-bit Super Analog
Pure analog tape recording
Musicians:
Mighty Sam McClain
Robert Lucas
Terry Evans
Joe Beard
Ronnie Earl & The Broadcasters
Lloyd Jones
Sherman Robertson
Doug MacLeod
Track Listing
1. A Soul That’s Been Abused – Mighty Sam McClain
2. Good Morning Little Schoolgirl – Robert Lucas
3. Blues No More – Terry Evans
4. Just To Be With You – Joe Beard (feat. Ronnie Earl & The Broadcasters)
5. Give It Up To Love – Mighty Sam McClain
6. Money In Your Pocket – Terry Evans
7. Shed A Tear – Robert Lucas
8. I’ll Be Laughing (When He Makes You Cry) – Lloyd Jones
9. Chili Ba Hugh – Ronnie Earl & The Broadcasters
10. I Wonder Why – Sherman Robertson
11. Whose Truth, Whose Lies? – Doug MacLeod
12. Got To Have Your Love – Mighty Sam McClain
BLUES
Blues music is a deeply expressive genre that originated in the African American communities in the Deep South of the United States around the end of the 19th century. It is characterized by its use of specific chord progressions and the melancholic narrative of the lyrics, often dealing with themes of sorrow, troubles, and soulful endurance.
